Thank you!

Today my humble little screenwriting blog ticked over to 5000 visits and almost 7500 page views according to sitemeter. Other stats show that it has been read in nearly 70 countries which is pretty amazing.

Thank you to everyone who reads and enjoys my posts. I'm always delighted when people, especially other writers, tell me in person that they find my blog a good read. 

What more could a writer ask for? :-)

The Initial Impulse or Rediscovering the Passion

I recently submitted an older script for a funding round after pulling it out of the bottom drawer, doing a quick polish and attaching a new producer. The script - The Tangled Web - has some pedigree. It received an Australian Film Commission New Screenwriter's grant back in 2002, has been optioned twice prior to this now third producer and was well received at a PAC Script Lab reading back in 2007.

Yes, it has been around for a while - thirteen official drafts by my count and no doubt countless more revisions. At one stage, I am told, Sam Worthington was interested pre-Somersault days and an experienced producer was on board as a mentor for the then director-producer.

The story is about a married man who becomes addicted to the fantastical world of the internet and the glamorous people within it while failing to notice his real life world collapse around him.

As you can see in the whiteboard snapshot, the structure was deliberately designed as an upwards trajectory as the addiction takes hold (and things seem to be getting better) then, after the midpoint, a downwards slide into obsession with only the hint of redemption in the resolution. Requiem for a Dream was clearly an inspiration as this always was, at its heart, an addiction story.

Five years ago it might have made an interesting 'cautionary tale' on the social impact of the internet. Now there are many examples, particularly with films like Catfish, Talhotblond and yes, even The Social Network.

What strikes me though, on reading the current draft, is how far it has drifted from my initial impulse for the story. The more drafts, the more development, the less it seems to speak to what I was attempting to say and explore.

Most "internet movies" like Catfish and Talhotblond have as their central "conceit" the implicit understanding that the person you are 'talking to' online could be anyone. That virtual reality and real life is never the same. Witness the "hot girl" inevitably ending up as the tragic figure of the middle-aged woman... or a guy!

In The Tangled Web, in its early incarnation, it was always different. Our hero keeps getting drawn back to the internet (chat rooms in early drafts) because of a beautiful woman in her early thirties (written with Naomi Watts specifically in mind) who he later discovers is exactly the same in real life - superficially gorgeous on the outside. The 'twist' is that she is actually a bitter and angry divorcee who uses the internet as a crutch for her own need for attention and self-worth ie ugly on the inside.

Yes, it will come as no great surprise that this is based on a real life experience, exaggerated for dramatic effect (no, I've never been married nor fired for stalking etc!). About forming an instant connection in an unusual way, about revelling in that, about discovering that beauty is more than skin deep, that the internet is liberating in some ways and destructive in others. All things that fascinated me when I first started to write the script...

At the reading there was one scene that people (mostly) HATED. I mean, they were in my face about. The object of his desire - the perfect woman from the internet, the one he has opened his heart to - is anything but 'perfect' when he goes to her house, uninvited, unwanted in real life. She pours her scorn, her anger, her bitterness onto him... and he lashes out and hits her. I knew it would be controversial but I thought it was the ideal low point and, more importantly, in keeping with both their characters. At least it got a reaction!

Now? The script does not have a 30 something Naomi Watts internet alter-ego. It is an American Beauty like 19 year old. The above scene? Gone. The subsequent drafts went to the more obvious, the more, in a strange way, acceptable? Perhaps that is why my passion for it has waned. I am pretty sure if I read the early drafts there would be a) terrible writing, sure but b) a rawness and honesty there that is now missing.

It's that initial impulse, that spark, no matter what it is or where it comes from that keeps you going. It is also, in many ways, your compass. I think I lost mine with this one a little... okay, maybe a lot. It's a nice reminder for other projects... and this one if I ever decide to go back and "fix it".

Hold onto that spark, that impulse, that thing that made you passionate about wanting to tell the story... and protect it at all costs. Otherwise you'll drift away from it, draft after draft until, in the end, you have a script with no blood. No heart. No chance...

Fabulous West Australian Web Series needs your support - Soulfish

Last year, Henry & Aaron famously won the inaugural Movie Extra Webfest competition and $50,000 to make a 7 part web series. Those episodes air on Foxtel in under a month's time.

This year is a little more complicated for me as there are two local projects that I've had some minor involvement with (script feedback mainly) that I would like to commend for your support.

They are "The Same Paige" by good friend Anna Bennetts and "Soulfish" by a group of talented Filmbites actors under the auspices of their production company White Frawgz.

I have only known the young actors who make up White Frawgz for about six months through my involvement with Filmbites' Professional Partnership Program. But they have certainly left an impression with their talent and commitment to the craft of acting and making excellent films. The two short screenplays I've written for Filmbites should go into production next month and I'm really looking forward to seeing the outcome. If Soulfish is anything to go by they will be excellent.

I think it might have been at my last visit that it was mentioned they were writing a rom-com web series. Movie Extra Webfest seemed to be the perfect fit. I was impressed with a video they had shot for another competition and even though they weren't picked as a finalist (a quite glaring omission) it showed White Frawgz knew what they were doing.

So we come to Soulfish which has a really interesting angle about the transition from "teendom to adulthood" and looking for that special someone. There is an authenticity here that is based on the collective real life experience of the group so the development of the series will be fascinating to watch. They really are a tight knit bunch as their many and increasingly elaborate pranks can attest! When it comes to film-making though they are very savvy and very skilled.

The Link to watch the one minute trailer is: http://apps.facebook.com/mncwebfest/showentry/967434/null/4

Once you have watched, please click "Love It" under the video box. 

There is also a facebook page at: https://www.facebook.com/SoulfishTheSeries

Soulfish was written by White Frawgz and directed by Jessica Hegarty and Hannah Hugessen and stars Corey Hogan, Jessica Hegarty, Hannah Hugessen, Baden Harris, Zachary Drieberg, Jaymes Durante and Whitney Cooper.
http://youtu.be/txQLYOvQnVI

Fabulous West Australian Web Series needs your support - The Same Paige

Last year, Henry & Aaron famously won the inaugural Movie Extra Webfest competition and $50,000 to make a 7 part web series. Those episodes air on Foxtel in under a month's time.

This year is a little more complicated for me as there are two local projects that I've had some minor involvement with (script feedback mainly) that I would like to commend for your support.

They are "The Same Paige" by good friend Anna Bennetts and "Soulfish" by a group of talented Filmbites actors under the auspices of their production company White Frawgz.

Anna has read more of my work than any other person I can think of (though there's probably some poor soul, somewhere in a funding agency who enjoys that dubious pleasure!). I have read most of Anna's plays, novels, short stories, screenplays and we always offer each other constructive feedback with the minimum of physical harm inflicted! We collaborated on one short script - "Rigor Mortis" - that was a Finalist in the British Short Screenplay Competition in 2008 (out of something like 1600 entries worldwide) and have a feature screenplay - "Chrysalis" - in stasis as we work separately on other things. Both of these projects are based on Anna's original short stories.

I saw The Same Paige in its original incarnation as a stage play a few years ago. An hilarious production that has also been performed in London and will have a run at The Blue Room next year. It is fertile ground for a punchy comedy web series - about a writer who creates outrageous characters that come to life in her imagination as she deals with her partner, an engineer, who doesn't perhaps appreciate the finer points of what it means to be a writer.

The Link to watch the one minute trailer is: http://apps.facebook.com/mncwebfest/showentry/916242/null/4

Once you have watched, please click "Love It" under the video box. 

There is also a facebook page at: https://www.facebook.com/pages/The-Same-Paige/301126713231156

The Same Paige was written and directed by Anna Bennetts and features the radiant Summer Williams, Kym Bidstrup and Rosemary McKenna.